Forgotten Images by Chris Dahl

A number of years ago I attended a program given by Rob Knight on Lightroom, he outlined his system of organization in Lightroom. I watched, took notes and was inspired by the level of organization he was achieving. I quickly adopted his methods and modified them for my use. I will not go through the details here, but I have documented them in the form of a handout that I gave to attendees of a presentation I made for one of the groups I am a member of. You can find that document here, please feel free to download this file.

So the question has become what to do I with all the images cataloged in my system before this procedure change. I have been taking photos for many years. So there are a number of stray folders and files floating around. I also have boxes full of unscanned film.

Most of my digital photography is already in my lightroom database. When I installed Lightroom I simply “Added” the files keeping them in their stored location. Since then I have moved them to an external RAID storage system and in that process did a little rearranging of folders and locations. I looked at the meta data of the images and created “year” folders to move the files to. Most of my files were in folders by event, so I have loosly followed the same procedure going backward in years.

Recentally I was sifting through previous years imports and creating Collection Sets that I could go to by year and filter on to find images. This led me to some older film scans that I had forgotten about.

New York City circa 2001. Shot on film and scanned.

New York City circa 2001. Shot on film and scanned.

All of the images I am posting today were shot on my Brooks Veriwide 100 camera mentioned in this post. This was a fun old camera. It had a wide aspect ratio and had a nice 47mm Schneider Super Angulon lens. I regret selling this camera, they are still avaliable today in the used market but you will pay much more than I did in the 90’s.

If my memory serves me these images were shot in New York about 2001 around Christmas. I am not sure what photographers style (if any) influnced me, but they are interesting to me today.

A wedding lemo in traffic.

A wedding lemo in traffic.

I have hundreds of negatives that I have not scanned. That will be another project for some future cold winter day. I do not find that process fun and tend to push it out

Film was fun to process and print, but there was a different level of work and time involved to get the results you had in mind. If you did not have your own darkroom (or work at a lab) it could take several days to a week to see the negatives and proof prints.

Many of the tools in Photoshop and Lightroom emulate the tools we used in the darkroom. Even the Icons in Photoshop simulate the tool used. Go look at the tools in Photoshop for burning and dodging, these icons are what we used to use. A coathanger with cardboard shapes taped to it (sometimes custom for the image) was used to dodge or hold back light. And for burning, you would use your hands and shape holes for light to pass through.

Today it is much more instant, you have a preview of the image on the back of your camera that you can zoom into and move around. A histigram and other diagnostic tools to tell you how you did with your exposure. There are even tools to assist in composition and crop.

And once you get home you are minutes away from a basic edited job on the Image. There are even tools for editing while your travel on your smart phone with connected storage devices such as the Gnarbox.

My Path to B&W Infrared Photography by Chris Dahl

Many years ago I shot a fair amount of Kodak B&W Infrared film in my cameras. I used two cameras. A Brooks Veriwide 100 which shot 120 film and a Widelux 35mm. Both of these cameras were “Panorama” cameras shooting wide angle with extended field of view. There were lots of limitations to the Infrared film process. The film needed to remain sealed in the original film cans until you were ready to load the camera. The camera needed to be loaded in a dark room or a black-out changing bag. The film is overly sentive to daylight and would easily fog.

You needed a filter to go over the lens to block out light spectrums other than Infrared.

BrooksVeriwide 100.jpg

I also had a darkroom in my home and would process the film and make the prints myself. That is a whole other process worth discussing another day. Darkroom work is very fulfilliing.

Below are a few images that were shot on film, printed and then in later years scanned. I still have the negatives and a few film processing tanks but I have sold the other equipment.

Sadly, I sold the cameras as well.

Film is making a comeback, and you can still get Infrared film but the choices are much more limited. Kodak is completely out of the Infrared film business today.

If you are interested in the film process a good site to visit is Freestyle Photograpic Supplies, they have a good selection of film, chemicals and equipment. They also have a nice database of articles in a section called Photo Know-How.

Click on the images above for the full view.

About two years ago, I decided to research B&W infrared photography and figure out if I wanted to revisit this format. I quickly ruled out film. I did not want to get back into the wet process at this time because I did not have the space to dedicate to it.

After some research I found several companies that would convert your existing camera to Infrared. However, this is a big commitment. Once converted you cannot take what you consider normal photos with that camera. I wanted to find an easier way to test the process, so I settled on buying a filter to go over the lens of my existing camera. Then I used digital processing to finish the image.

I purchased a Hoya R-72 filter and started reading blogs and testing the concept. This is an inexpensive and low commitment way to get involved. I am including some links to the various products I used if you are interested. I appreciate you using my links when you decide to make a purchase.

There are many resources and varied opinions on how to make and process the images. You can spend hours with google and find some really good tutorials.

The image below was shot on a Nikon D800 using the Hoya filter and processed in Lightroom with a pre-made white balance applied to the image. I also, processed it dark and with lots of contrast to create a mood in the image. It paid off as it placed in the Landscape Category at the event it was created.

Here are a few good links:

Introduction to Infrared Photography

How-To from Digital Photography School

LifePixel Blogs


After a year of experimenting with this process, I decided to take the plunge and get one of my cameras converted. I chose LifePixel as a vendor and boxed up my older D800 and sent it off for conversion. I chose to use their Standard IR conversion on this camera. I truly like the look of the Deep IR, but I wanted the chance to have some color options. They also give you an hour of one-on-one video training with some Photoshop Actions to aid in image processing. I would recommend LifePixel if you choose to go this route.

The above images were all taken with the Infrared converted Nikon D800. You can click on the images to get a larger uncropped view.

I use many of the processing steps suggested by LifePixel, but I have added a few steps of my own. The white balance is done in Nikon Capture NIX-D, the Tiff image it produces is imported into my Lightroom library. I use Lightroom to do some basic contrast and levels adjustments.

Then I export and edit the file in Photoshop. I use one of the actions provided by LifePixel to set the tones in the image. I usually have foliage, so I am working toward white leaves and grass.

I then use Luminosity mask to create additional tone changes and maybe add an Orton Effect to the image.

Please leave me comments and questions. If there is interest, I will go into more details of my processes.

GNPA Smokies Photography Weekend by Chris Dahl

Once again The Georgia Nature Photographers Association visited the The Great Smoky Mountain National Park for their annual fall trip! This annual event is home based in Townsend, TN with excursions throughout the Smokies. 

Weather and locatin are keys to getting good photographs. Dramatic weather contributes to dramatic photos. In the past we have had a mix of clear to poor weather. Clear days are good for wildlife and big scenes. But the sky becomes boring on a cloudless day. So a good mix of clouds and some rain is even better.

You know you are in the Smokies when you see fog in the valley. If you wake up in the morning and open the window and see fog simplay do not get back into bed! Go out and see what is in store for you. The photo below is a good example of a cloudy sky with fog in the valley. At 5:30 AM when I woke up and looked out at the parking lot, the fog looked so bad I thought to myself why go. But as you can see the reward was this lovely scenes of backlit clouds and a blanket of fog in the valley.

Sunrise, pullout 15 on Foothills Parkway.

Sunrise, pullout 15 on Foothills Parkway.

I arrived on Wednesday night and went out at first light on Thursday morning to Cades Cove to start my photography journey. We had rain all accross the south the entire week and Thursday was no exception. I pulled into Cades Cove in a steady rain. It rained most of the day on Thursday, but I managed to find some locations to make some photos. Maybe not the best ones I have produced but some unique ones.

John Whitehead Cabin, Cades Cove GSMNP.

John Whitehead Cabin, Cades Cove GSMNP.

There are a few spots that I visit every time I go to Cades Cove. It seems odd to folks that I go back to the same locations every time I go, but with the changing conditions you really do get a different perspective each visit. Bill Lea spoke at the closing session this year and talked about the quality of light. This was exactly his point as well. Weather plays a huge role in the quality of light.

Off of Sparks Lane, B&W Infrared.

Off of Sparks Lane, B&W Infrared.

Kayaker on the Middle Prong of Little River.

Kayaker on the Middle Prong of Little River.

Lots of rain will lead to lots of water in the rivers and streams. The Middle Prong of Little River was way up in Tremont, so not the best conditions for water photography. This is one of my favorite places to photography water, so I scouted it Thursday to see how high it was. As I made the drive up to the end of the road I saw small contributing streams that are usually just trickles turn into full water falls. But I also saw some guys Kayaking down the river, so I pulled out the long lens and started shooting them, Then I would race to the next curve to catch them again. Click on the image to see more.

“I see you” A cautious deer keeps an eye on me. (First Place in the Wildlife Competition)

“I see you” A cautious deer keeps an eye on me. (First Place in the Wildlife Competition)


This year we also had more color than usual in the trees in the higher elevations. I love finding the colors reflecting in the slower waters. On Saturday it had been dry for two days and the waters went down a good bit. The photo to the left was made on the Middle Prong of Little River.

To see more images of this trip please follow this link. GNPA Smokies Weekend.

Sunrise off Foothills Parkway GSMNP.

Here is a short video from this trip.

Back in the day by Chris Dahl

I have been interested in photography since I was a very young boy, my first camera was an old Kodak folding camera that took 620 film. My parents gave it to me when I was 9 or 10 years old. They would give me film and take it to the Drug Store for processing.

The image above is my Grandfathers house in Mableton Georgia, one of the early images I captured.

The image above is my Grandfathers house in Mableton Georgia, one of the early images I captured.

It was a few years later that my folks gave me a darkroom kit for Christmas. All it included was a Yankee Film developing tank, developing trays, chemicals and a contact printer. Dad hung blackout curtians in the bathroom and I was good to go. Over the next few years I got more involved in photography and by High School was ready to dive into it.

The school had a company that did all of the photography for the yearbook and they would mentor students. There were loaner cameras (Yashika Mat 124G) and access to a darkroom. By this time I had saved my money and purchased an enlarger and other supplies from a local camera store. My Dad built me a darkroom in the corner of his storage shed. It had lights and running water!

This darkroom is one I built in our home and worked out of during the early 90‘s. Dad built the custom cabinets.

Throughout college I worked for a photography studio in town (Photos By Sebo). I did most of their B&W darkroom work and assisted with weddings and other events. I also had the chance to shoot at various sporting events around town through their relationship with the Associated Press.

Yes it is difficult being the photographers assistant at the Miss National Teenager Pagent. Above are a few relics from my past, press pass to a NASCAR race and a few photos. And yes one of my first Air Shows.

My love for B&W Infrared goes back to the film days. I shot Kodak Infrared film, you needed a black out changing bag to load the camera and a filter that was almost black. The cameras all had a focus offset mark on the lens to adjust for the focus.

BPG Shootout by Chris Dahl

The Booth Photography Guild sponsers a number of outings each year. For this years shootout we were graced to have it on the same weekend as the Booth Western Art Museums Cowboy Festival.

Folks from all over come to town and bring their Chuck Wagons, Crafts and Cowboy attire to join in the fun


What a great time walking around and discovering the stories and passion these people have for their western heritage.

There were thousands of hour invested in the restoration of some of these wagons. No detail is to small to omit.


Barber Shop

There was an effort to repersent the life of a cowboy at every exhibit, they even kept the Yeti coolers under tarps and out of sight.


Many thanks to all the folks that made the day a success.

June 2018 - Kennesaw Mountain National Battlefield Park by Chris Dahl

As you know I love to go out and shoot photographs. When I find events like the one this weekend at Kennesaw Mountain I always try to attend. This weekend there were  demonstrations of Infantry and Artillery on the main field in from of the visitor center. There was a short talk on the solders life in the field and the weapons and tactics they used.

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